Imagine this in Act 3 Scene 4. Polonius and Gertrude talk in the center of the civilization, a sturdy, yet scruffy building that managed to survive the war. Only the "royal" get to sleep in a real building, while the rest live their lives in poorly-built shacks. Polonius hides in an empty closet as he hears Hamley approaching the room. Hamlet talks with his mother abou
Monday, November 11, 2013
Post Apocalyptic Hamlet
Imagine this in Act 3 Scene 4. Polonius and Gertrude talk in the center of the civilization, a sturdy, yet scruffy building that managed to survive the war. Only the "royal" get to sleep in a real building, while the rest live their lives in poorly-built shacks. Polonius hides in an empty closet as he hears Hamley approaching the room. Hamlet talks with his mother abou
Sunday, November 3, 2013
To Be or Not to Be
Of the many different performances on the famous Hamlet soliloquy, "To Be or Not to Be," I decided to look at Kenneth Branagh's and David Tennant's different portrayals. In all honesty, both actors did a great job with the soliloquy, but I'll get this out of the way and say I preferred Branagh's more. The most up-front similarity I noticed was really the dead silence beside the speech, which helped the actors accentuate certain parts. Every single 's' consonant was absolutely piercing; it added dramatic effect but I personally didn't like it. Both of the speeches were chilling in their own way.
In Branagh's portayal, I liked the use of the mirror. I thought the mirror itself really represented the first, famous lines of the soliloquy, "To be or not to be-that is the question:" (3.1.64). The mirror, to me, represents two different realities Hamlet can choose, one where Hamlet deals with the situation, and one where Hamlet goes off and ends his life. To me, this really emphasized Hamlet's two-faced insanity, and the horrible reality of the situation. And as the speech goes on, he draws closer and closer until you can finally see just his reflection wielding a sword, which made me think how easy he could have killed himself then and there. I thought Branagh's use of the mirror and sword added depth to an already chilling speech.
Tennant's version was very different emotion wise. While Hamlet looked and felt disdain towards himself in Branagh's version, the Hamlet in Tennant's had a much deeper, more somber expression, especially in his eyes. One think that bothered me was when the actor looked directly into the camera; I think he was trying to be chilling with his eyes but I cringed every time we made eye contact through the screen. I felt this version lacked depth,it was just Hamlet kind of staring off into the distance as he leaned against the wall stationary. It was an impressive speech nonetheless, but I felt like it was still missing something. I didn't feel the madness and insanity that Branagh brought to the table.
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